Wednesday, 23 January 2013

Questionnaire summary and evaluation


Audience Research Evaluation

Carrying out our questionnaire was very helpful as it enabled us to develop our knowledge of our audience and what codes and conventions they would like to see in our thriller opening.

Question 1:  “What is your age group?”

15-20; 19 people
21-30; 4 people
31-40; 3 people
41+; 4 people

This question enabled us to determine what different age groups like in a thriller, allowing us to tailor the codes and conventions within our thriller to our specific target audiences making it more agreeable with our potential audiences so therefore if we were producing it for retail we could maximize our profit margins.

Question 2: “Male or Female?”

Male; 17 people
Female; 13 people

This question enabled us to identify the specific wants of different genders allowing us to cater for both within our thriller opening meaning we can widen our target market. Furthermore it enables us to ensure that we have a wide selection of results meaning we can analyze correctly what we would benefit using in our trailer.

Question 3: “How often do you watch films in one week?”

Once a week; 16 people
Between 1 to 3; 9 people
More than 3; 5 people

Question 4: “Where would you expect a psychological thriller to be set?”

Farm; 1 person
City; 6 people
Prison; 3 people
Mental asylum; 6 people
Forest; 7 people
Dark houses; 7 people

This question allowed us to analyze in detail which setting our audiences would like to see in our thriller opening so we can cater to them and specify to what they want to see. When analyzing our results it’s clear to see that the two most popular settings where Forests and Dark Houses. I believe this is due to the element of seclusion included in these settings, which also suggests that, the idea of a seclusion maybe a key theme. We left this as an open question; the benefit of this would be that the questions could be more specified to what audiences want.

Question 5: "What sort of sound would you expect to hear in a psychological thriller?"

Suspense creating; 8 people
Violent sounds; 3 people
High pitch sounds; 5 people
Shouts or Screams; 3 people
Silence; 3 people
Classical music; 4 people
Mysteries; 4 people

Asking people what sound they would expect to hear allows us to gain a knowledge of what audiences associate with a psychological thriller. We can then incorporate these sounds into our thriller opening in order to make it appropriate and conform to what our audiences. This was an open question which allowed audiences to be specific in what sounds they'd like to hear.

Question 6: "What's your favorite thriller film? (e.g se7en)"

Limitless; 17%
Taken; 10%
Exorcist; 7%
Se7en; 23%
Shutter Island; 14%
Fight Club; 3%
Ghost writer; 3%
Inception; 7%
Fast five; 3%
None; 7%
Cabin in the woods; 3%
Pyscho; 3%

Asking this question enables us to develop a knowledge of what our potential audiences like. From this research we could look at the most popular films and pick our different aspects that appear to work well and incorporate them in our film opening. This question was an open question so it allowed audiences to express there opinions freely however to ensure that the people filling out this questionnaire knew what genre type we were talking about we included an example.

Question 7: "What do you find scarier? (Circle 1) "

Fast editing; 13 people
Slow editing; 17 people

This question gave us an idea as to what editing type audiences would prefer in terms of editing. By asking which they find scarier it enables us to determine a way to put across our preferred meaning and build the atmosphere that fits with the scene. By asking audiences what they prefer it enables us to t


What sort of camera shots/movement would you expect from a thriller? (Circle 2)

Close ups; 16 people 
Long shots; 10 people 
Birds eye view; 7 people
Extreme close up; 16 people
Zoom in & out; 11 people

We chose to ask this question so we could incorporate appropriate shots and movements that audiences would like to see in our trailer. It was a closed question so that the answers given by those filling out the questionnaire couldn't answer with shots and movements which would be impossible to do due to lack of equipment etc for example a shot taken from a helicopter.

What characteristics would you expect from a main character in a thriller?

Dominant; 3 people
Unknown; 1 person
Strong; 3 people
Brave; 4 people
Naïve but bright; 1 person
Odd looking; 1 person
Innocent; 1 person
Heroic; 4 people
Family orientated; 3 people
Smart and Fearless; 3 people
Male; 2 people
Good acting; 1 person
2 faced; 1 person
Mysterious; 2 people

This was an open question which enabled audiences to go into detail on the typical aspects they would expect to see in a main character with non bias as suggested answers may have influenced them enabling us to review the answers and pick up on the popular suggestions and attempt to incorporate them into our opening. On reflection I do not believe this question was as successful as it does not clearly state which main character i.e. villain or hero, which could leave audiences confused.


What characteristics do you expect from a villain in a thriller film?

Clever; 2 people
Mysterious; 3 people
Hench; 3 people
Deformed; 2 people
Psychotic; 2 people
Tall; 1 person
Thrives to kill; 2 people
Dark features; 2 people
Evil; 2 people
Violent; 2 people
Scars; 3 people
Determined; 2 people
Cold Hearted; 1 person
Sneaky; 2 people

Similarly to above this was also an open question enabling us to get unbiased results however this question I believe was better as it was more accurate and told the person who was filling out the form for us exactly what opinions we wanted off them. We aim to incorporate the most popular options in our opening i.e. Mysterious.
 
What tense would you prefer the thriller that you are watching to be set in? (Circle 1)

Past; 8 people
Present; 18 people
Future; 4 people

This was a closed question enabling us to get direct answers that we were looking for rather then people giving dates as that could of left us with potentially 30 different dates to choose from. As most people voted for Present tense we will aim to set our trailer in the present tense.
 
What time period would you expect a thriller film to be set in? (E.g. Victorian times)


 
Would you expect the narrative within a thriller to be linear or begin with a flash forward/back?




Do you expect non-diegetic music to be involved within the opening of a thriller? (E.g. a piano being played) (Circle 1)

Yes       No

If yes, why?



Questionnaire results

 We created this questionnaire to research our preferred audience for our thriller, we asked thirty different people of different genders and preferences in thrillers and this gave us these results to understand what codes and conventions our audience will prefer in our thriller opening. 

 This shows the gender of our audience and shows we have a fair percentage of both male and female.

 This shows the varying age of our audience and the variety of people we have researched.
 This shows the number of movies our audience watch per week and gives and idea of their understanding of movies.

 This shows the prefered setting of our audience and what they like to see in thrillers.

 This is what sounds our audience expects to see in a thriller and we can try to include some of these in our opening.

 We have chosen to ask this question to our audience because we want to know what sub genre of thriller audiences’ prefer/like
 We have chosen to ask this question in our questionnaire, as we would like to see what type of editing audiences like in thriller films

 
We have chosen to ask this question because it will help enable us to see what kind of shots would be preferred in a thriller


We have chose to ask this particular open question in our questionnaire because we want to see what audiences expect from a main character in a thriller

 When looking at the results from this Question it is clear to see that the percentage of people would prefer the film to be set in the present tense this may be as it would be easier to follow for audiences.

We have chosen to ask this question in our questionnaire because this will give us an insight into what characteristics audiences expect from a villain

 When analyzing these results it’s clear to see that most people would prefer a thriller film to begin with a flashback or flash forward, this may be as it hints at the story line and creates an enigma.
 Looking at the question it’s obvious most people would expect to hear non-diegetic music in a thriller.

After analysing this final question most people expect non-diegetic music to create tension, which is something we will have to work on in order to get it right in our production.

Audience Questionnaire


What is your age? (Circle 1)

15-20            21-30              31-40               41+


Are you male or female? (Circle 1)

Male          Female


How often do you watch films in one week? (Circle 1)

Once a week                  between 1 to 3             more than 3


Where would you expect a psychological thriller to be set?




What sort of sound would you expect to hear in a psychological thriller?




What is your favourite thriller film? (E.g. Se7en or shutter island)




What do you find scarier? (Circle 1)

Fast editing         slow editing


What sort of camera shots/movement would you expect from a thriller? (Circle 2)

Close ups       long shots        birds eye view       extreme close up       zoom in & out


What characteristics would you expect from a main character in a thriller?



What characteristics do you expect from a villain in a thriller film?





What tense would you prefer the thriller that you are watching to be set in? (Circle 1)

Past          Present          Future


What time period would you expect a thriller film to be set in? (E.g. Victorian times)




Would you expect the narrative within a thriller to be linear or begin with a flash forward/back?




Do you expect non-diegetic music to be involved within the opening of a thriller? (E.g. a piano being played) (Circle 1)

Yes       No

If yes, why?







 .

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