Friday, 10 May 2013

Script


Script

Production company’s, fade out and then fade in to ambulance pulling in.
Straight cut into inside of the ambulance, 
Close up on Charlie saying “we’ve got to get her into the hospital now!”
Charlie turns to away from Damien towards Eliza whilst he turns around Damien picks up a sharp object (scissors) and stabs Charlie in his side
Charlie drops to the floor and we see an over shoulder shot of Damien looking over Charlie showing the power he has over him.
Damien turns around and ties Eliza up whilst she is in the wheelchair, uses chloroform to make her unconscious 
Cuts to Damien taking Eliza into the house and fades out 
Fade in to 6 months earlier
Charlie and Damien are sat in the ambulance and Charlie spots a scrapbook of Damien’s full of pictures of Eliza
Charlie questions Damien about it “why have you got this weird book?”
Damien replies “its none of your business!”
Charlie responds “if I see anymore of this stuff then I’m going to go and tell Eliza, you got that?”
Damien responds aggressively “yeah I got you just watch yourself”
Damien walks off and slams the door behind him to show his frustration at Charlie

Audience profile

KNGSFoundationPortfolio(TomWilletts): audience profile

Monday, 22 April 2013

Story Board



Taken, crime thriller analysis


Taken Island analysis


Taken is a crime thriller with a strong focus throughout the film on the concept the good vs evil. The clip above is the official trailer for Taken as the opening is not available on youtube. The trailer will allow you to see the concept of the film and allow you to gain a certain amount of understanding to follow my notes.

Mise en Scene:
The colors and light techniques used in the opening of Taken are significant in  order to hint to audiences what is coming in the film and the genre type. At the very start of the clip a shot was used showing a photo of his daughter dressed in bright clothing in a dark room. The bright clothing connotes the girls innocence an young age where as the dark room in which the photo stands could foreshadow the dark future awaiting the girl. This creates an enigma for audiences to follow keeping them engaged in the story-line. The next shot we are shown is the father sitting in total darkness in black clothing, this allows audiences to read into the fathers personality and develop a stereotype in the head of a devoted Dad with a dark side. The next scene we are shown is the daughters birthday party, the weather is blissful and sunny which acts as a prophetic fallacy hinting at the joy felt by all those in the clip this acts as the original equilibrium that Todorov talks about suggesting that something bad is coming.

Next I focussed on analyzing the stock characters in the films opening. They all seem to fall into Propp's character functions. The Dad appears to take the lead as the hero, this is suggested by the strong love we see he has for his daughter as well as the bad attitude or 'hard' edge in his character. The father is dressed in smart clothing however looks roughed up suggesting he is not afraid to get his hands dirty which is shown as the story progresses. The daughter takes the role of damsel or victim, this is suggested  by her fragile frame innocent clothing persuading audiences to automatically side with her and make the villains seem more cruel.  The mother seems to portray herself as though she may act as an aid in throughout the start of the film as she comes across as another character who cares deeply for the daughter but however doesn't appear to be a dominant character as she is dressed in fragile, expensive clothing connoting that she is not the type of women to get her hands dirty.


Thursday, 28 March 2013

Institutional research


The production company we have decided to use for our film opening is Universal pictures. There are many reasons we chose to use this production company, firstly it has produced a number of successful films that fall under the same thriller genre as our product such as se7en. This makes our film opening look more professional and like a genuine thriller opening which has the potential to do well with such a big name backing it.

The production company that we are using is metro-Goldwyn Mayer or ‘MGM’; we have decided to use this company because they have a long history of creating movies similar to our movie opening. MGM are owned by MGM holdings inc making them a vertically intergrated organisation as they are not owned by outside corporations, this is significant because it may be cheaper to promote the company and what they are selling because there are less companies involved. This company have produced a number of high standard films such as the James bond films, this gives our movies a high prestige because of these previous films, these all link to our movie because this movie is also involved with some thriller aspects and is a very highly rated movie series making it a positive aspect for us because our movie follows similar thriller aspects. We have decided to use a independent company because of these reasons and that they are a large distribution company which supports our movie being a high end product.


Thursday, 21 March 2013

"Shutter Island" - Official Trailer [HD]

Shutter Island analysis


Shutter Island is a physiological thriller with a strong focus throughout the film on the concept the mentally stable vs the mentally unstable. The clip above is the official trailer for Shutter Island as the opening is not available on youtube. The trailer will allow you to see the concept of the film and allow you to gain a certain amount of understanding to follow my notes.

Mise en Scene:
The colors used in the opening of shutter are key to allowing the producers to push across the preferred meaning (Stuart Hall). The colors used are predominantly grays, blacks and other dark colors this connotes the dark atmosphere surrounding the island, the establishing shot used allows the audiences to see they gray fog surrounding the island; possibly connoting the unknown haze and confusion, as well as showing that the percentage of the island is dark rocks this again reinforces the connotations of the dark atmosphere as well as the sybolism of the rocks suggesting it's a rough unnerving place to be. Even the greenery of the plants has shown to be faded, this could suggest the un-natural events that take place on the island connoting that not even the plants can last in the cold hard environment. Furthermore throughout the opening clip there is only use of low key lighting, even when on the boat, this could connote that there is no hope for the pair as they enter into the island. That all 'light' has been drained from the pair of detectives hypothetically speaking.

Next I looked at the stock characters featured in this clip. The clip first opens to introduce us to the main character, Teddy Daniels, at first he is presented as a weak character. He is shown to have an intense overwhelming fear of water, so much so it makes him ill this then connotes to the audience that he is a weak character which contrasts with the strong patriarchal image of him we are presented with as the clip continues this suggests to audiences that perhaps there is something not quite right about Teddy, putting audiences on guard and keeping them alert for future faults in this character that audiences would stereotypically expect him to a strong, independent character. Secondly we are introduced to his ''police partner'', Chuck Aule. He is shown to be the typical expectation of a strong man he, conversely to Teddy, is a strong reinforcement  of the concept of Patriarchy as he is a white upper class male and displays dominance as he rules over everyone else in the opening except for Teddy who is his equal. The concept of Teddy and Chuck being the most dominant is reinforced by the costume they are seen wearing, very smart and upper class, as well as the job they do. After this we are introduced to Teddy's wife. She is shown in a flash back as she is no longer alive supporting again the idea of woman being the weaker sex as she was unable to save her self. We are introduced to her in her home setting where she is helping get Teddy ready for work by getting him his tie, this displays her in a typical role for a woman as she appears to be the home maker. Teddy and his wife are shown to be very deeply in love as she often leans on him denoting there relationship as well as connoting her dependence on him, this clip foreshadows to the audiences that Teddy may possibly seek revenge for the unjust murder of his wife, this is reinforced by the dialogue as Teddy talks of how he knows the murderer is on the Island.
The only other characters we are introduced to are the police and the security on the island. They act almost hostile towards Teddy which is unexpected

After that I focussed on the stock settings featured in the opening. The first setting we are introduced to is a boat which has set sail and is surrounded by water, this highlights the concept and idea of seclusion which is often such an apparent theme in the thriller genre, the fact that boat is also surrounded by water, a symbolically dangerous surrounding this combined with Teddy's obvious fear for water foreshadows to the audiences that something bad and scary is about to happen. Another setting we are introduced to which ties in with the concept of seclusion is the grave yard we are shown. Furthermore another setting we are shown with an emphasis on in the opening of Shutter Island is a forest or woods, this is significant as it is an extremely conventional setting of the thriller genre allowing audiences to make assumptions and guess at the narrative that will follow, this creates an enigma keeping audiences engaged as they want to check if what they have predicted is correct. This enigma is often used in Thriller films to create the ''thrill''.

The narrative and theme's made apparent to us in the opening of Shutter Island appear to be a mixture of both conventional and non-conventional. The themes that are presented to us immediately in the opening are: death, mystery, crime, grief and thriller. All of these themes are very typical of a conventional Thriller film however in the opening of shutter island the main themes that are heavily put across to the audiences are the themes of mystery and death. I believe the producers have incorporated this emphasis on these two themes in particular to connote to the audiences that everything isn't as straight forward as it seems and they may need to question these two themes as there may be something hidden behind them. The narrative also follows the typical structure of a thriller film opening. There are several narrative theories apparent in Shutter Island. Firstly Props' character functions, there appears to clearly have the hero (Teddy) , aid (Chuck) and damsel (Rachel, the missing patient). The narrative also appears to include Strauss' theory of binary opposite; sane vs. insane, natural vs. un-natural,  police vs. criminals, death vs. life. Producers often include binary opposites in there films as it introduces an edge of competitiveness provoking an enigma as audiences are keen to see whom or what will eventually through the other one. The final key point i noticed about the narrative structure is that the story line doesn't run in a linear order, it begins with a flashback, this is apparent in nearly all thriller films. This is key as revenge or obsession is often a key theme in the thriller genre, using a flash enables them to show this without having to show all the boring in-between bits.

Iconography is a really key aspect in allowing producers to push across the preferred meaning within a film. Shutter island incorporated many iconic props and images specific to the theme of police. For example guns, police badges, smart clothing. These all act as an aid to enable audiences identify the way the narrative may go. The use of iconography can also enable audiences to learn things about each individual character on the screen, for example Teddy is shown still wearing his wedding ring even though audiences have recently learnt that his wife has passed away. This connotes that Teddy is struggling to let go of the memory of his life and is still trying to lead a married life. This idea is reinforced when we learn that Teddy is a smoker suggesting to audiences he lives a stressful life and maybe smoking to aid him in dealing with his emotions.

The last significant aspect of mise en scene i deconstructed was costume worn by characters. Firstly we are introduced to the two main character Teddy and Chuck.  They are dressed almost identically in a typical film noire style. Smart clothes, long coats and low hats shielding there faces this creates a strong sense of secrecy as we wonder what the characters are hiding which builds an enigma. Another character we are introduced to in the opening of Shutter Island is Teddy's wife, we see her in a flashback. She is presented in an extremely innocent way wearing a white flowery dress and blonde hair this makes audiences side with her a feel as though a great injustice has been carried out against her.

Camera angles & movement:
The film opens by showing an establishing shot of a boat surrounded by water emphasizing the seclusion and foreshadowing the entrapment the pair experience on the island. As well as the hint at the passive danger on the surface it seems kind and inviting however it has the potential to kill similar to what we learn about Teddy in the narrative. It then cuts to a 2 shot, showing Teddy and his reflection in the mirror making it look as though there are two individuals in the shot. The lighting in the shot makes the reflection looking back at Teddy seem much darker. This connotes the secret dark side to Teddy that audiences are not yet aware of. The next shot we can read from is the two shot of the two detectives this shows distinctively the relationship between the two characters as well as hinting at how key this relationship will be to the narrative. Another shot incorporated into the opening to demonstrate a close relationship is another 2 shot of Teddy and his wife, it then zooms to a close up of his wife, this is all shown in a flashback to show happier times have come and gone for Teddy. Finally they show an establishing shot of the island, this may have been used for a number of different reasons, firstly it shows distinctively how isolated and basic the island, it shows the colors of the island (mainly grays and dull greens) to allow audiences to make appropriate associations as i spoke about earlier and build the appropriate atmosphere, in this case eerie and uncomfortable. Secondly it emphasizes the key role of the island in the narrative, the hole story resolves around it so it is therefore key to distinctively show the island in detail to the audience.
Throughout the clip the camera often remains stationary this could connote the serious nature of the film and enable audiences to focus mainly on the narrative as it is complex and may become hard to follow. The first significant camera movement we see in the film opening is a pan, the camera follows Teddy's wife along the screen and up to Teddy I believe this shot shows a sense of mutual dependance, she goes up to Teddy but we feel as if Teddy always has his eyes on her, this could also symbolize there love for each-other.

Editing:
The pace of the editing is very slow and easy to follow this may be as the beginning does not include action scenes therefore a fast edit wouldn't be expected secondly it enables the film makers to actively engage audiences as well as encoding key clues to enable audiences to follow the rest of the narrative. The cuts used are mainly straight cuts to add a sense of realism allowing audiences to relate to the narrative making it more emotional for them however it does incorporate a few other cuts in the opening such as;
-Zoom in on Teddy's face, this was shown just after he spoke about the death of his wife, this may have been used to enable audiences to clearly see his emotions allowing them to see the distress he experiences when he talks of it.
-Jump cut, this was used to emphasize the cigarettes given to him by his partner Chuck, this shows audiences it may be a key aspect and allows them to clearly notice this as it is needed later in the narrative.

Sound:
Diegetic
- Boat horn, reinforces the setting and adding to the continuity of the film.
- Sound of waves, emphasizes the concept of total isolation as well as setting the scene.
-  Dialogue, clearly shows a narrative structure and allows audiences to understand what is going                 .  on in the narrative. It also shows him speaking to himself allegedly a sign if madness.
- Chains clinking, symbolizes the idea of prison foreshadowing Teddy's future.
Non Diegetic
-Eerie music played during opening where company name is shown, it  links paramount pictures and subtitles together creating less of a waiting time as well as building suspense and demonstrating the narrative theme as the orchestra sounds mostly strings which is associated with the horror genre.
-Scary music throughout, eerie tension building.

Wednesday, 23 January 2013

Questionnaire summary and evaluation


Audience Research Evaluation

Carrying out our questionnaire was very helpful as it enabled us to develop our knowledge of our audience and what codes and conventions they would like to see in our thriller opening.

Question 1:  “What is your age group?”

15-20; 19 people
21-30; 4 people
31-40; 3 people
41+; 4 people

This question enabled us to determine what different age groups like in a thriller, allowing us to tailor the codes and conventions within our thriller to our specific target audiences making it more agreeable with our potential audiences so therefore if we were producing it for retail we could maximize our profit margins.

Question 2: “Male or Female?”

Male; 17 people
Female; 13 people

This question enabled us to identify the specific wants of different genders allowing us to cater for both within our thriller opening meaning we can widen our target market. Furthermore it enables us to ensure that we have a wide selection of results meaning we can analyze correctly what we would benefit using in our trailer.

Question 3: “How often do you watch films in one week?”

Once a week; 16 people
Between 1 to 3; 9 people
More than 3; 5 people

Question 4: “Where would you expect a psychological thriller to be set?”

Farm; 1 person
City; 6 people
Prison; 3 people
Mental asylum; 6 people
Forest; 7 people
Dark houses; 7 people

This question allowed us to analyze in detail which setting our audiences would like to see in our thriller opening so we can cater to them and specify to what they want to see. When analyzing our results it’s clear to see that the two most popular settings where Forests and Dark Houses. I believe this is due to the element of seclusion included in these settings, which also suggests that, the idea of a seclusion maybe a key theme. We left this as an open question; the benefit of this would be that the questions could be more specified to what audiences want.

Question 5: "What sort of sound would you expect to hear in a psychological thriller?"

Suspense creating; 8 people
Violent sounds; 3 people
High pitch sounds; 5 people
Shouts or Screams; 3 people
Silence; 3 people
Classical music; 4 people
Mysteries; 4 people

Asking people what sound they would expect to hear allows us to gain a knowledge of what audiences associate with a psychological thriller. We can then incorporate these sounds into our thriller opening in order to make it appropriate and conform to what our audiences. This was an open question which allowed audiences to be specific in what sounds they'd like to hear.

Question 6: "What's your favorite thriller film? (e.g se7en)"

Limitless; 17%
Taken; 10%
Exorcist; 7%
Se7en; 23%
Shutter Island; 14%
Fight Club; 3%
Ghost writer; 3%
Inception; 7%
Fast five; 3%
None; 7%
Cabin in the woods; 3%
Pyscho; 3%

Asking this question enables us to develop a knowledge of what our potential audiences like. From this research we could look at the most popular films and pick our different aspects that appear to work well and incorporate them in our film opening. This question was an open question so it allowed audiences to express there opinions freely however to ensure that the people filling out this questionnaire knew what genre type we were talking about we included an example.

Question 7: "What do you find scarier? (Circle 1) "

Fast editing; 13 people
Slow editing; 17 people

This question gave us an idea as to what editing type audiences would prefer in terms of editing. By asking which they find scarier it enables us to determine a way to put across our preferred meaning and build the atmosphere that fits with the scene. By asking audiences what they prefer it enables us to t


What sort of camera shots/movement would you expect from a thriller? (Circle 2)

Close ups; 16 people 
Long shots; 10 people 
Birds eye view; 7 people
Extreme close up; 16 people
Zoom in & out; 11 people

We chose to ask this question so we could incorporate appropriate shots and movements that audiences would like to see in our trailer. It was a closed question so that the answers given by those filling out the questionnaire couldn't answer with shots and movements which would be impossible to do due to lack of equipment etc for example a shot taken from a helicopter.

What characteristics would you expect from a main character in a thriller?

Dominant; 3 people
Unknown; 1 person
Strong; 3 people
Brave; 4 people
Naïve but bright; 1 person
Odd looking; 1 person
Innocent; 1 person
Heroic; 4 people
Family orientated; 3 people
Smart and Fearless; 3 people
Male; 2 people
Good acting; 1 person
2 faced; 1 person
Mysterious; 2 people

This was an open question which enabled audiences to go into detail on the typical aspects they would expect to see in a main character with non bias as suggested answers may have influenced them enabling us to review the answers and pick up on the popular suggestions and attempt to incorporate them into our opening. On reflection I do not believe this question was as successful as it does not clearly state which main character i.e. villain or hero, which could leave audiences confused.


What characteristics do you expect from a villain in a thriller film?

Clever; 2 people
Mysterious; 3 people
Hench; 3 people
Deformed; 2 people
Psychotic; 2 people
Tall; 1 person
Thrives to kill; 2 people
Dark features; 2 people
Evil; 2 people
Violent; 2 people
Scars; 3 people
Determined; 2 people
Cold Hearted; 1 person
Sneaky; 2 people

Similarly to above this was also an open question enabling us to get unbiased results however this question I believe was better as it was more accurate and told the person who was filling out the form for us exactly what opinions we wanted off them. We aim to incorporate the most popular options in our opening i.e. Mysterious.
 
What tense would you prefer the thriller that you are watching to be set in? (Circle 1)

Past; 8 people
Present; 18 people
Future; 4 people

This was a closed question enabling us to get direct answers that we were looking for rather then people giving dates as that could of left us with potentially 30 different dates to choose from. As most people voted for Present tense we will aim to set our trailer in the present tense.
 
What time period would you expect a thriller film to be set in? (E.g. Victorian times)


 
Would you expect the narrative within a thriller to be linear or begin with a flash forward/back?




Do you expect non-diegetic music to be involved within the opening of a thriller? (E.g. a piano being played) (Circle 1)

Yes       No

If yes, why?



Questionnaire results

 We created this questionnaire to research our preferred audience for our thriller, we asked thirty different people of different genders and preferences in thrillers and this gave us these results to understand what codes and conventions our audience will prefer in our thriller opening. 

 This shows the gender of our audience and shows we have a fair percentage of both male and female.

 This shows the varying age of our audience and the variety of people we have researched.
 This shows the number of movies our audience watch per week and gives and idea of their understanding of movies.

 This shows the prefered setting of our audience and what they like to see in thrillers.

 This is what sounds our audience expects to see in a thriller and we can try to include some of these in our opening.

 We have chosen to ask this question to our audience because we want to know what sub genre of thriller audiences’ prefer/like
 We have chosen to ask this question in our questionnaire, as we would like to see what type of editing audiences like in thriller films

 
We have chosen to ask this question because it will help enable us to see what kind of shots would be preferred in a thriller


We have chose to ask this particular open question in our questionnaire because we want to see what audiences expect from a main character in a thriller

 When looking at the results from this Question it is clear to see that the percentage of people would prefer the film to be set in the present tense this may be as it would be easier to follow for audiences.

We have chosen to ask this question in our questionnaire because this will give us an insight into what characteristics audiences expect from a villain

 When analyzing these results it’s clear to see that most people would prefer a thriller film to begin with a flashback or flash forward, this may be as it hints at the story line and creates an enigma.
 Looking at the question it’s obvious most people would expect to hear non-diegetic music in a thriller.

After analysing this final question most people expect non-diegetic music to create tension, which is something we will have to work on in order to get it right in our production.

Audience Questionnaire


What is your age? (Circle 1)

15-20            21-30              31-40               41+


Are you male or female? (Circle 1)

Male          Female


How often do you watch films in one week? (Circle 1)

Once a week                  between 1 to 3             more than 3


Where would you expect a psychological thriller to be set?




What sort of sound would you expect to hear in a psychological thriller?




What is your favourite thriller film? (E.g. Se7en or shutter island)




What do you find scarier? (Circle 1)

Fast editing         slow editing


What sort of camera shots/movement would you expect from a thriller? (Circle 2)

Close ups       long shots        birds eye view       extreme close up       zoom in & out


What characteristics would you expect from a main character in a thriller?



What characteristics do you expect from a villain in a thriller film?





What tense would you prefer the thriller that you are watching to be set in? (Circle 1)

Past          Present          Future


What time period would you expect a thriller film to be set in? (E.g. Victorian times)




Would you expect the narrative within a thriller to be linear or begin with a flash forward/back?




Do you expect non-diegetic music to be involved within the opening of a thriller? (E.g. a piano being played) (Circle 1)

Yes       No

If yes, why?







 .

Thriller, definitive genre


Thriller genre: codes and conventions


Limitless, physiological thriller analysis

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Savages, crime thriller analysis

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Inception, physiological thriller analysis

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